Office Spectacle

by: Jesus Diaz

INT. Office space-day

A Woman sits still at her desk, this is our protagonist who will remain unnamed. She simply sits there staring off into space into her computer’s deepest soul. As she stays there looking off at the computer, we can see in her own face that a part of her remains unfulfilled in the life she holds.

Narrator (v.o)

This woman has been working here at this place for nearly the last 3 years of her life. She is usually well-sound and happy-hearted in her workplace. Many of her fellow workers are happy to have her around

Another woman begins to walk towards the Woman, drooling off at her desk; this is The Boss.

The boss

You ain’t done shit all day today. What the hell is wrong with you.

Freeze-frame

Large Text Appears that says: The Boss

Narrator (V.o)

To a possible large surprise of many. The largest one here is actually the only individual to be seen within miles on end who does not take a kind approach to speaking with her is the boss themselves.

The boss

Quite sick of your shit. Get it together and get to work.

The Boss begins to walk back off away from the Woman’s cubicle; the Woman looks at her as she walks off. When the boss is no longer visible in her sight, she begins frantically typing on her computer to look through the U.N. goals. As she browses through them, the narrator begins to speak again.

Narrator (v.o)

You see. Our lovely unnamed worker here has been having a slight bit of an off week. One of severe existential crises. Quite literally, causing her to question nearly every event in her life. Especially beginning to question her place here in this job and society. She works here 8 hours every day with a single 30-minute break each shift, except for Sunday, where she can receive the full day off. Somewhat useless to her, given that she then stays at church in the morning for 4 hours. Not that it would matter to her, for lots of free time, she can’t afford many activities due to just how little she is paid for her work.

The Woman looks over to the time on her computer, the time for her break is finally almost here. She begins to drool with excitement as the final minute begins to hit, allowing her 30-minute break to sink in.

The woman

(softly) It’s all finally over.

She gets up from her desk and begins to walk off to go get herself some food.

Int. Cafeteria-day

The Woman gets her food and begins to go sit at the table; the camera zooms onto her food, revealing a rather unappetizing meal that she begins to eat with glee.

Narrator (v.o)

In her mind, this is the best meal of the day. She never manages to truly eat much. A simple cafeteria lunch on her break causes the happiest of sensations in her bones.

Fade

INT. Office space-day

The Woman is back at her desk, typing away as her miserable life ticks by and by.

The clock is now much more in the frame, able to be seen by the audience. The Woman begins to look over at the clock as her eyes begin to widen with excitement, but more so a sense of a shimmer of light in her despair-filled world.

The woman

Finally, it’s almost over, I think I’ll be fine.

In her voice, her shakiness and scarred trauma in the life she lives is highly noticeable.

Narrator (v.o)

The end of the day begins to rise, and the Woman will finally be able to go home to her lovely little world that she partakes in. A lovely world based upon the dreams she was told would be hers as a young child. Not to represent what the present holds, but what would simply just be another little factor of her own self-imposed lore, her own little moment of despair in the underdog story she always wanted to believe was hers.

The time finally hits, it’s the end of the day and the Woman stands up and begins to run out with excitement as she can finally get out of work.

The woman

This is it, this is it, this is it.

Fade to:

EXT. Her boxy house-dusk

The camera takes note of her boxy house sitting still in a hallway; she begins to walk up to her lovely little box.

Narrator (v.o)

This is the world and lovely little domain she retreats herself to every single day, after 8 hours, she happily sleeps in the best piece of shelter she can afford; this is what her life has come to and will most likely always continue to be. A simple box in her alleyway is all so far, the only thing her dreams have allowed her to obtain, truly shining glamour in her eyes.

She sits down in her box with a smile on her face, she gets a blanket and her pillow and begins to lie down, slowly falling asleep.

The camera lingers on her sleeping in her box as the image slowly begins to fade.

Fade to:

(credits)

2023 UNCHARTED THRILLING STORY AWARD

JANUARY 1 TO FEBRUARY 28, 2023

JUDGED BY GABINO IGLESIAS

We invite writers to submit to the Uncharted MagazineThrilling Story Award from January 1 to February 28, 2023. This Award is for all three genres: SF/F, Thriller/Horror, and Mystery/Crime. Guest judge Gabino Iglesias will choose three winning stories from a shortlist. We’re excited to offer the winner of this prize $1000 and publication, while the 2nd and 3rd place winners will receive publication and $300 and $200, respectively.

Continue reading “2023 UNCHARTED THRILLING STORY AWARD”

Song of Spring by Morgan Sands

Where water turns into miniature sound poodles

where hummingbirds sing

music to my ears

flowers are yet to bloom

I’m patiently waiting

I’m living love through stories that have yet to begin

soft streams of clear, untouched water

begging to feel touch once again.

Masterpiece by Morgan Sands

your jeans were a masterpiece

your laugh was one of a kind

you have a violent mind, but your voice is like velvet

I catch your eye…you’re smiling at me

the world is frozen.. except for the breeze

and here we are together, simply for the better

and here we stay, togetherness

you’re my lilac, and I am the blossom.

Where the lilac blooms…

The Creativity Marathon 2023

Creativity is More than Art

Creativity is our most valuable resource. The act of creating can be exhilarating, challenging, or at times, even frightening. Many times, it can feel like all of the above.

However we experience it, creativity is the force that drives progress, expression, and discovery. Full Sail University is a community that respects and empowers creative thinking, and it’s at the heart of everything we do.

Let your creativity shine in an international filmmaking competition that celebrates creative solutions and the hope for a brighter future around the globe.

Join the Creativity Marathon

The Creativity Marathon is an opportunity for high school students from all around the world to come together to solve some of the world’s greatest challenges through a filmmaking competition.

With the help of some filmmaking lessons from Full Sail, teams of three to five students, accompanied by an adult sponsor, will have until March 25, 2023 to produce a three-minute video showing a clear and creative solution to one or more of UNESCO’s Sustainable Development Goals.

Creativity Marathon Timeline

  • March 4: Registration deadline for sponsors, schools, and students
  • March 4: Opening Announcements
  • March 4 – March 25: On Demand Sustainability, Pre-Production, Production, & Post-Production Lessons
  • March 25: Deadline for video to be submitted
  • April 1: Awards Ceremony

Contact Us: creativitymarathon@fullsail.com

Distress

By Rachel Hylan

Jemma’s heart was pounding. What had possessed her to climb on that spaceship with Eion in the first place was beyond her. Actually, it wasn’t really beyond her per se. It may, or may not, have something to do with his charismatic nature and deep blue eyes…

“We’ll get him back,” Natalia whispered from behind Jemma, a plasma blaster in her hand. Natalia’s girlfriend, Imani, followed closely behind, also equipped with a plasma blaster.

“We don’t even know what we’re facing,” Jemma insisted. Her heart continued to hammer, especially as she realized the only weapon she had at her disposal was the dagger Eion had asked her to hold on to while he went to “scope the area.” 

That had been nearly twelve hours ago.

This wasn’t meant to be an overly hard mission. The Diplomatic Intergalactic Federation of Peace and Prosperity (D.I.F.P.P.) had sent a small team to meet with the inhabitants of a planet known as Planet 27 Elm r. The Federation had attempted to make contact with Planet 27 Elm r, but it didn’t appear to have advanced enough technology to allow contact to be made. So, the D.I.F.P.P. sent in a strike team.

Natalia Rodriguez, Imani Thomas, and Eion Radcliffe were part of a Special Forces Unit within D.I.F.P.P., all experienced in the various fields of combat and intergalactic travel. Jemma MacQuoid, in comparison, was far from experienced. Jemma was a computer programmer for the D.I.F.P.P., fluent in thousands of coding languages but inexperienced in the field.

Nevertheless, with a little urging on Eion’s part, Jemma found herself on this mission.

Jemma and Eion had known each other since they were teenagers, having gone to the D.I.F.P.P.’s University together. Eion, despite being a field agent, was a masterful computer engineer, hence the reason the two knew each other.

Now, Jemma found herself treading carefully on an unknown exoplanet located in the far reaches of space. The brilliant purple sky was slightly hazed due to the amount of nitrogen dioxide in the air. The ground was pillowy, and Jemma’s feet sunk slightly into it as she walked forward. Tall, towering, plantlike figures surrounded the three women. Despite their plantlike appearance, the figures were bare of life of any sort.

“We’re facing the unknown,” Imani responded, snapping Jemma’s attention back to the task at hand. “That’s what we signed up for.”

Jemma didn’t dare retort that she’d signed up for nothing of the sort. She was slightly afraid of Imani. It wasn’t that Imani was mean, but the fact that Imani was so stoic around allies and aggressive around enemies. Natalia, in comparison, was a formidable opponent in a fight, but she was a friendly person off of the battlefield. Both Natalia and Imani had been in Jemma’s class at the University, hence the reason she was familiar with their fighting skills.

Jemma’s DN-Arm Band buzzed, causing Jemma’s hazel eyes to fall down to her wrist. Like most humans, Jemma disapproved of the required wristbands all humans had to wear. It allowed the D.I.F.P.P. to monitor one’s activity, disguised under numerous health benefits. Despite Jemma’s programming skills, the DN-Arm Bands were impossible to hack into.

“Can’t you shut that thing off?” Imani grumbled.

“No!” Jemma protested. “Knowing my heart rate is very important!”

“I’m sure it is,” Natalia replied gently. “But in a battle, your heart rate will always be spiking. So, these kinds of notifications will get you killed.”

Sighing, Jemma pressed the silver top of the DN-Arm Band to shut off the notifications. She winced slightly as the needles from the armband that pierced her wrist sunk deeper into her flesh. Yet another downfall of the D.I.F.P.P.’s favorite piece of technology. 

Screaming filled Jemma’s ears, causing her heart rate to spike once again. Had she left her notifications on, her DN-Arm Band would have been beeping uncontrollably. 

Continue reading “Distress”

The culmination of 18 years of work, the catalyst or destroyer of her hopes and dreams, the great and sole decider in Div’s fate… was sitting in a small white envelope on her desk. Small and unassuming- one could have mistaken it for junk mail had it not been for the holographic stamp on the back of the letter. The United Space Exploration and Research Station seal sparkled proudly on the white background, filling Div with both excitement and dread. 

Div’s lifelong goal was to serve as a captain in the USERS control team. When she was little, she’d watch the Station’s live stream with her parents, witnessing the discovery of planets and alien life as it happened, following the expeditions of the human explorers, and listening to the commands of the Teraphol commanders. While her classmates idolized the explorers, the ones doing the legwork, and praised their bravery and sacrifice, Div had always favored the commanders. The commanders were the ones orchestrating the entirety of the explorations; it was their quick thinking that determined the success of the mission. They developed all of the techniques and technologies the explorers used, and Div wanted to be just like them. 

With bated breath and unsteady hands, Div ripped open the envelope and pulled out the letter. Scanning over its contents, she felt her heart plummet. The first paper displayed her scores on the written and multiple-choice aptitude tests. While her score was the highest for human applicants, it fell below average compared to Teraphol scores. While it was to be expected, it was nonetheless disheartening. Div had studied relentlessly for this test, loading herself down with college classes and researching study guides. However, the resources available to her were designed for humans trying to pass the exploration division requirements- some sections of the test were wholly left out, such as subjects only present in Teraphol curriculums. Ever since the USERS was established, Teraphols had been the sole species in command, and humans had been the sole species in exploration. It made sense; Teraphol society was structured solely for the pursuit of knowledge. Every single Teraphol had made a significant contribution to their favorite field of study; a low-performing Teraphol would be a prodigy in human society. They were the best choice for command. Humans were more durable, especially after the development of nano-enhancements. They were able to explore foreign worlds, adapt to extreme temperatures, and overcome foreign diseases. The nano-bots in their systems took care of any damage or ailment their natural processes couldn’t. They were the best choice for command. Still, Div had been holding out hope that she would be the one to break the trend, the first human commander in all of history.

Flipping to the next page, Div read her official results.

Application to Command team: Denied

Application to Exploration team: Accepted.

Report to the United Space Exploration Research Station in three days for your fitness and practical test.

Continue reading

Do you want to know how to get published?

ONLINE: Writing Day Workshops plans both in-person and virtual/online conferences. The 2023 CWW is an Online Conference, on March 3-4. Online events are easy and awesome, and the virtual events we’ve done thus far have received wonderful feedback. You do not have to be tech-savvy to do this, and understand we are keeping all aspects of a traditional in-person event, including one-on-one agent & editor pitching, which will now be done by Zoom or phone. Learn all details about what it means to have a writers conference online.)

WHAT IS IT?

This is a special two-day “How to Get Published” writing workshop on March 3-4, 2023. In other words, it’s two days full of classes and advice designed to give you the best instruction concerning how to get your writing & books published. We’ll discuss your publishing opportunities today, how to write queries & pitches, how to market yourself and your books, what makes an agent/editor stop reading your manuscript, and more. No matter what you’re writing — fiction or nonfiction — the day’s classes will help point you in the right direction. Writers of all genres are welcome. And even though this is the “Chesapeake” Writing Workshop, make no mistake — writers from everywhere are welcome to attend virtually. Our WDW writers conferences have helped dozens of writers find literary agent representation — see our growing list of success stories here.

Follow this link for more information

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